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Available in two heights, Sol combines a four-legged structure of turned solid ash with a seat shell that rests elegantly on the frame. The seat profile extends beyond the base, which is upholstered and customizable in fabric or leather. Sol

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Piana features a perfectly engineered interlocking system of six elements forming its base, crafted entirely from solid wood and designed as a self-supporting structure. Its balance is achieved through the precise combination of two inclined X-shaped frames and a central

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Eera is a lounge chair with a lightweight structure, defined by a tubular metal frame finished in white or black paint. The frame outlines its silhouette and seamlessly connects to the legs, which extend upward to form the armrests. The

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Velia welcomes with its compact and comfortable shapes and the attention to its details. It is a family that includes a pouf, a cockpit armchair and a small sofa, in which Marco Zito's design emphasizes curvilinear patterns and defines, through

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With soft contours and upholstery that are ideal for outdoor relaxation, the SIT range consists of lounge chair, chaise longue and pouf, customizable with fabrics, fully removable and that guarantee durability and optimal performance even in outdoor environments. Its enveloping

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Slice is a coffee table, a stool, a bedside table, an object to be flexibly used in living and bedtime environments, but also for the shared spaces of hospitality or work facilities. At the heart of this collection is a

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Consisting of a bench and a versatile element that can be used as a coffee table or low stool, the Petal collection by Bross is dedicated to waiting and conversation areas, as well as living and sleeping areas. A sign

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With a natural, stained or matte lacquered finish, the ashwood creates two 'trestles' that act as legs, with different inclinations and shaped at the edges for a soft, radiating effect. They culminate in an elegant and comfortable armrest, enhanced by

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Graceful and light in the chair version, more enveloping and structured in the armchair option, Lindy portrays Bross craftsmanship in woodworking through small details. The clearest example of this is given by the backrest, a graphic sign that characterizes the

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Il taglio di un ‘foglio’ rettangolare e la sua tensione producono una superficie tridimensionale, rigorosa: è il piano di lavoro dello scrittoio Cut, disegnato da Victor Vasilev per Bross, che a partire dalle tradizionali pieghe idealmente fatte sulla carta genera

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